.Africa is the proposed Internet generic Top-Level Domain (gTLD) for the African and Pan African communities and users wherever they may reside. The .africa gTLD serves as a regional domain for individuals and entities based in and out of Africa.
The .Africa gTLD has not yet been delegated to any organization as registry operator. The .Africa application that was submitted by DotConnectAfrica Trust is now the subject of an unresolved disagreement with ICANN (DCA Trust vs ICANN) following an Independent Review Panel (IRP) Process that was invoked by DCA Trust under ICANN’s accountability mechanism in October 2013. The IRP was administrated by the International Center for Dispute Resolution (ICDR) of the American Arbitration Association (AAA) New York, US.
DCA Trust had passed all the new gTLD applicant evaluation criteria, but before the Initial Evaluation (IE) result was issued, a Governmental Advisory Committee GAC Objection Advice that had been issued in Beijing in April 2013 was later accepted by the ICANN Board in early June 2013 which caused the ICANN Board to instruct ICANN staff that DCA Trust’s .Africa new gTLD application will not be approved. This had caused the non-completion of the evaluation of DCA Trust’s application; which then led DCA Trust to challenge the ICANN Board decision through a series of accountability mechanism.
Africa and De viris illustribus were partially inspired by Petrarch's visit to Rome in 1337. According to Bergin and Wilson (p. ix). It seems very likely that the inspirational vision of the Eternal City must have been the immediate spur to the design of the Africa and probably De viris illustribus as well. After returning from his grand tour, the first sections of Africa were written in the valley of Vaucluse. Petrarch recalls
The fact that he abandoned it early on is not entirely correct since it was far along when he received two invitations (from Rome and from Paris) in September 1340 each asking him to accept the crown as poet laureate. A preliminary form of the poem was completed in time for the laurel coronation April 8, 1341 (Easter Sunday).
Africa is 2009 Perpetuum Jazzile album. By large most successful song from the album is a capella version of Toto's "Africa", the performance video of which has received more than 15 million YouTube views since its publishing in May 2009 until September 2013.
Streets (also known as Walls in other countries) is an Australian ice-cream brand owned by the multi-national British-Dutch company Unilever. The company established a long term contract with dairy company Dairy Farmers.
Founding and history
Streets was founded in Corrimal, New South Wales, in the 1930s by Edwin "Ted" Street and his wife Daisy and is now Australia's largest ice-cream manufacturer. He set up a distribution depot at Bexley and then a factory where products were manufactured at in the Sydney suburb of Turrella until 1996, when production moved to a new facility in Minto. Today most cream-based products are produced at Minto, while water-based products are imported from Asia.
Streets introduced the Paddle Pop in 1953, and sold over ninety million units by centuries end. It ls per capita the world's best selling ice cream.
Sounding the Seventh Trumpet is the debut studio album by American heavy metal band Avenged Sevenfold, released on January 31, 2001 by Good Life Recordings, and re-released by Hopeless Records on March 19, 2002, featuring slightly different cover art. The album was recorded in November 2000 at Westbeach Recorders in California. Although the album only sold 300 copies in its first week of release, the album has sold 370,000 copies worldwide with 310,000 sold in America, as of November 2010. The title 'Sounding the Seventh Trumpet' takes its name from the Book of Revelation, specifically referencing chapter 11 and the sounding of the last (seventh) trumpet, showing the end of the world. Valary DiBenedetto (M. Shadows' future wife) performs vocals on the track "The Art of Subconscious Illusion." The album was released as 2x12 vinyl, LP, 33 ⅓ RPM, Purple on 2008 in US. Sounding the Seventh Trumpet is widely agreed as Avenged Sevenfold's heaviest album, with chugging guitars, very little clean vocals, and The Rev's blistering drums.